Showing posts with label Music Industry. Show all posts
Showing posts with label Music Industry. Show all posts

Wednesday, 21 November 2012

Institutional information - COLUMBIA RECORDS


*COLUMBIA RECORDS* (who manage 'The Vaccines') 






Columbia Records is US record label who is part of the Conglomerate company Song Music Entertainment (operating under the Columbia Music Group). The Record label was created in 1888 as an evolutionary development an American Graphophone Company. Columbia Records is leaking with history as the oldest brand name in pre-recorded sounds and the primary company to produce pre-recorded records instead of black cylinders ( records - earliest commercial medium for the recording & reproducing of sound) Columbia Records progressed to release records for a notable array of solo artists, instrumentalists, and bands.
Arista (an American record label subsidiary of Sony) is now a sister label to Columbia Records through Sony Music; both are connected to Columbia Pictures through Sony Corporation of America, who are the worldwide parents of both the music and motion picture arms of Sony.

Columbia Records has been passed around, co-shared and developed over the years, but (as it is today) was finally (for now) sold to Sony in the 1980’s. In 1988 in fact (100 years since it began!) the CBS Records Group (including Columbia Records) became part of Sony and was renamed as ‘Columbia Records’ in 1991 worldwide.  The label is now headed by chairman Rob Stringer along with co-presidents Rick Rubin and Steve Barnett. As of October 2012, there are currently 83 recording artists signed to Columbia Records. It is the largest of the three flagship labels owned by Sony Music (followed by RCA Records with 77 artists and Epic Records with 43 artists)

(sony corporations) 

A Brief History
The Columbia Phonograph Company was originally a local company (run by a man named Edward Easton) which distributed and sold Edison phonographs and phonograph cylinders in Washington, D.C., Maryland and Delaware (and derives its name from the District of Columbia, which was where its headquarters were located) Columbia produced many commercial cylinder recordings of its own. They began with black wax records, moving onto "black wax" records in 1903. They began selling disc records and phonographs in addition to the cylinder system in 1901. By 1912 they were however now only concentrating on disc records (moving with the times) In late 1923, Columbia went into receivership (the ownership rights changed). The company was bought by their English subsidiary, the Columbia Graphophone Company in 1925 and the label, record numbering system, and recording process changed completely. They then began recording with the new electric recording process licensed from Western Electric. The new "Viva-tonal" records set a benchmark in tone and clarity unequaled on commercial discs during the "78-rpm" era (Gramophone’s). The first electrical recordings were made by Art Gillham, the popular "Whispering Pianist". 

In 1926, Columbia acquired Okeh Records and its growing stable of jazz and blues artists, including Louis Armstrong and Clarence Williams. In 1931 the British company merged with the Gramophone Company to form Electric & Musical Industries Ltd. (EMI). EMI was forced to sell its American Columbia operations (because of anti-trust concerns). In 1938 ARC, including the Columbia label in the USA, was bought by the Columbia Broadcasting System . CBS revived the Columbia label renamed the company Columbia Recording Corporation retaining control of all of ARC's past masters, but in a complicated move, the pre-1931 Brunswick and Vocalion masters, as well as trademarks of Brunswick and Vocalion, reverted back to Warner Brothers (who had leased their whole recording operation to ARC in early 1932) and Warners sold the lot to Decca Records in 1941. Columbia became the most successful non-rock record company in the 1950s when they lured impresario Mitch Miller away from the Mercury label. 

Moving onto the 1960’s Perhaps their most commercially successful pop act of this period was Simon & Garfunkel, though of course during the 1960s, Bob Dylan achieved a prominent position in Columbia as well. During the early 1970s, Columbia began recording in a four-channel process called quadraphonic ( which uses four channels in which speakers are positioned at the four corners of the listening space, reproducing signals that are independent of one another. Quadraphonic audio was the earliest consumer offering in surround sound. It was a commercial failure due to many technical problems and format incompatibilities. Quadraphonic audio formats were more expensive to produce than standard two-channel stereo.) Quadraphonic recordings were used by both classical artists, including Leonard Bernstein and Pierre Boulez, and popular artists such as Electric Light Orchestra, Billy Joel, Pink Floyd, Barbra Streisand, Carlos Santana, and Blue Öyster Cult. Columbia even went on to release a soundtrack album of the movie version of Funny Girl in quadraphonic.  

Friday, 19 October 2012

Industry moulding of Artist's star image


I found this news article really interesting because in relation to the subject of star image & industry control i feel a raw area is the ITV show the X-factor. You watch the audition's and you see the natural talent. The people who are so very passionate about music and upholding their own personal style. Yet when they have made that final cut and got through to the live shows, it all changes. Firstly their image, the show reworks them into their idea of a sellable product, they loose any sense of originality, their hair, makeup, clothing and so on are completely fixed and they are pushed towards an image that is completely out of their hands. Not only does their image completely alter but also their musical style, genre, & expression, which I feel contributes to the decreasing authenticity of artists work. In relation to music video this is visually admitted through either voyeuristic features & sexualisation (that seem to be evident in most commercially successful artists work of the current age) or cheesy, sterile remakes of a set sound with marginally altered lyrics / locations or costumes for each new song. 

An article from 'digitalspy' 

Rebecca Ferguson has admitted that she has had to change her personality in order to survive in the music industry.

The X Factor 2010 finalist told the Daily Star Sunday that she was forced to "toughen up a lot" over the last two years.

Rebecca Ferguson performs at the Bridgewater Hall, Manchester on the first night of her UK tour
© PA Images / Dave Thompson/PA Wire


"I can't watch my first audition because it makes me too upset," she told the paper. "I just think it is really sad. I look at myself and don't recognise myself. I do think fame and fortune changes people."

She continued: "I have had to change because the girl in that audition wouldn't survive in the music industry. Little sweet Becki who loves everyone and who thinks the best of everyone wouldn't survive.

"I have had to toughen up a lot," she added, "so when I look at that I feel really sad."

Ferguson returns to The X Factor tonight (October 14) to perform her new single 'Backtrack'. The 26-year-old from Liverpool said that her time on the show taught her the importance of holding on to her identity.

"My advice is, if you are going to go on X Factor you have to know who you are as an artist," she explained.

"A lot of people go on, get told what to do, make a fool of themselves and then blame someone else.

Rebecca Ferguson


"When I went on there I was asked to sing things and I used to say 'no way'," she added. "You have to know who you are as an artist. If you are not happy with the song, don't sing it. Simple as that - no-one forces you to do it."

The singer also said that she learned the hard way about the importance of a work-life balance. Earlier this year, she publicly fell out with her management company over Twitter - claiming they forced her to work to the point of collapse - and they are now suing her for breach of contract

"I was naive in that I thought I could just sing and perform and do what I had always wanted to do all my life," she said.

"But I wasn't ready for all the added dramas that came along. There were times I fell out of love with music and thought about walking away.

"I thought I was happier when I was that girl at home in my bedroom singing into my hairbrush.

Rebecca Ferguson 'Backtrack' single artwork.
Rebecca Ferguson 'Heaven' deluxe edition artwork.


"I've had so many bad moments but the worst was when I collapsed," she continued. "Nothing is worth being ill or collapsing over.

"That's not music. Music is about making yourself happy and making other people happy."

Ferguson - who has since signed with a new management company - will release a deluxe edition of her latest album Heaven tomorrow (October 15) and plans to tour the US early next year.

"I'm just enjoying what I do again and enjoying singing again," she said.

Wednesday, 17 October 2012

The Music Industry



The Music Industry 




The music industry is currently build upon the foundations of the companies and individuals who make their money through both the creation and sale of music. Consisting of both individuals & organisations, the individuals being the musicians who compose and perform their music or music written or composed for them; and the organisations being  :

The companies and the professionals who create and sell the recorded music, for example : music publishers, producers, studios, engineers, record labels ( The brand aassociated with the marketing of music recordings and music videos, (commonly a company) that will manage the brands & trademarks; coordinate the productionmanufacturedistribution, marketing, promotion, and copyright laws and also conducts talent scouting and the development of new artists), retail stores, online music stores, and performance rights organisations (they basically deal with the copyright issues, and holders + parties who want to use copyrighted works publicly); The people that present live music performances for instance booking agents, promoters, music venues owners, road crew (The technicians & support personnel who travel with a band on tour), talent managers (Or band/artist manager helps the company or individual progress through their professional career in the entertainment industry), business managers, entertainment lawyers (people who provide legal services for the entertainment industry). People who broadcast music for example : satellite, internet and broadcast radio and then of course all of the journalists; educators; musical instrument manufacturers; tabloid writers, columnists, website designers and so on.

The modern day industry appeared around the 1950’s when records had replaced sheet music (printed as supposed to recorded) as the largest seller in the music business. This was when the term "the music industry" became interchangeable within the commercial world, with the phrase "the recording industry".

The majority of the musical market (for recorded music) is dominated by x3 major corporate labels:

1.) the French-owned Universal Music Group, - which is a major global music company owned by French media conglomerate Vivendi. Universal Music Group also owns Universal Music Publishing Group, which is the x2 biggest music publishing company in the world!
2.) The Japanese-owned Sony Music Entertainment - which is the largest global recorded music company of the "big three" record companies and is controlled by Sony Corporation of America, the United States subsidiary of Japan's Sony Corporation.
 3.) The US-owned Warner Music Group - Is a major global music and entertainment conglomerate based in NYC . It’s the biggest US owned music corporation globally & it is one of the 'big three' recording companies which are basically the three largest companies in the worldwide music industry. The company runs some of the most successful recording labels in the world, including : Warner Bros. Records + Atlantic Records.

In relation to the control of live music, the market monopolised by Live Nation who is the largest promoter of music and also the largest music venue owner. Live nation is an American entertainment company who formed from the merger of Live Nation and Ticket masterHowever because of digital distribution & the music video in the online age,  the largest  retailer of music is now i digital:Apple Inc.'s iTunes Store(Though the x2 largest companies in the industry are Universal Music Group and Sony/ATV Music Publishing.) This newly popular means of distributing & marketing products has created a wide web for artists to spread their music & fan base at the same time as lowering their costs. 



 ß US market shares in the music industry

 ß World market shares in the music industry 



Record Lables - Financing, Management & control 
In terms of costs in the industry (of music videos that is) the artist/bands label (could be independent or an international one) will be the one who covers all of the direct costs involved in the recording & promoting & marketing of a band, which of course include their music video.Though this authoritative control over  artists success means that they often have to surrender all rights to the music they create, their style & their star image. The label then makes their profit from the artists  album sales, performances sales, download sales & merchandising sales and then will distribute a portion of this money back to the artist. Within the industry most recording artists have now become wholly reliant upon the support of record labels to broaden their consumer base into the mass market and sell as many of their albums as possible on the widest possible scale. (and to be promoted / heard on mp3radio, ipod, youtube, TV, interviews, merchandise, positive media coverage, music videos etc). Artists are contracted with their record label and this either provides for the artist to deliver completed recordings to the label, or for the label to be involved with the recording process as well. They are also in charge of selecting producers, recording studios, additional musicians, and the songs that will be recorded. The relationship between record labels & artists is frictional and many artists  albums are completely altered / censored by the labels before they are released to the public for example their song lyrics will being edited, the albums artwork / titles can be tweaked and so on.  Their choices are based upon commercial success, something with can cause rifts between the label & the artists who wants to stay true to themselves. Though because of the technological advances and means of distribution & promotion via the Internet their  part is starting to loose its necessity. In recent years artists have become more easily able to freely distribute their own material through web radio, peer to peer file sharing, youtube, facebook, twitter and so on (for little cost or sometimes none at all). In fact some major artists such as Bigger artists such Radio are moving towards cutting out their label all together which of course if this becomes more common will cause major issues for the industry as a whole. 

(The major record labels)

Tuesday, 16 October 2012

Similar Indie Rock Bands - The Arctic Monkeys


The Arctic monkeys 






The Arctic monkeys are also a indie rock band (Alex Turner Jamie Cook Nick O'Malley Matt Helders), who formed back in 2002, have released x4 major albums, are actually one of the first groups to come into the mainstream of public attention using Internet through fan-based sites (rather than from the band), initiating new possibility of using online technological forums for mass marketing. They fall into the indie genre, but have a more 'pop' like style that alternative bands in this genre, they are noted to be one of the most prominent bands in the post-punk revival (post-punk revival was a development in alternative rock which arose later in the 20th century, where rock bands drew inspiration from the classic sounds of garage rock and New Wave - from the 60's & 70's), and have developed into an extremely successful commercial group.

Though their music falls under the genre indie rock although they have changed this sub genre of rock and have expanded and altered their sound & style with each of their four albums - one of their key features.  Their lead singer  Turner creates their iconically regional and  intricate lyrical sound, sung in a strong Yorkshire accent, and the  lyrics of their songs create the focal point for examination, change & nostalgia   - music with meaning, not just for commercialism . They have developed from desert rock and psychedelic rock sound, into love-themed ballads and desert rock and into psychedelic rock sound - these subtle changes have been the result of a popular progression in the bands popularity & have altered dependent on environment, production management & influences. 

  Arctic Monkeys

  The Vaccines 

- Both groups of four young men, similar musical sound, similar dress style (scruffy indie casual) - though you can notice the regional differences.